Tales of The Great
Unwashed
Ian Brotherhood
With The Great Unwashed being a free
house, and one of the few remaining, we've been feeling the pinch this
last wee while.
Over a century we've been here,
and a good few bob has passed over the counter down the years, enough at
any rate to raise several families and see them alright. So when things
get pushed as they are now, it's all hands on deck and never say die and
all that.
Just around the corner there's yet
another new 'Irish' pub opened, with 'genuine' old posters and chests of
drawers standing in the middle of the floor and old hats and shoes and
bootlaces and you-name-it hanging here and there. Packed it is already
too, and that's it open only a month.
So--bold strategies are called for.
I've pledged to peg the price of a pot of stew for the next year at least,
and I've extended the lunchtime menu from Pie & Beans, Sausage Roll
& Beans, or Bridie & Beans, to include the same things, but with
a twist - now my customers can have any of the aforementioned pastry products
solo i.e. without the beans, for ten pence cheaper, and mighty popular
it is proving. But that surely is the essence of change --assessing the
customer's needs and adapting to them.
And the Karaoke is another invention
which may yet help us see off the interlopers. On Thursdays we get Bobby
Elbow's All-Star-Roadshow in, and a fine range of tunes he has on his big
discs. Most of the regulars enjoy stretching their cables once they've
had a couple, and none more so than Joe 'Doghead' Ryan, who has won the
first prize (a token for a half-bottle of his choice) for the past three
weeks.
Because Joe has few of his own teeth
left, it is difficult for him to sing without releasing unpleasant raspering
splatteroid noises whenever he reaches for notes of higher type, or attempts
lyrics containing many Esses, but he was advised recently by Bobby Elbow
that by cutting a small banana-shape from a normal beer-mat and winding
it between his remaining choppers, the dentally-challenged delivery can
be much improved.
And so Joe has done this, with great
success. Now he can launch himself into heartfelt renditions of his favoured
Roy Orbison classics with confidence, as I expect he will tonight.
There being a sensation of change
in the air what with elections and all that, I expected that some scintilla
of optimism might be detected in the songs chosen by my loyal and trusty
regulars, but it seems that they don't care too much for it all--whether
it is change they fear, or perhaps just that they don't give a tom-tit
either way, I cannot truly say, but I had hoped there might be more of
a buzz about it all.
Bobby Elbow kicks the night off,
as ever, with a hearty version of We Gotta Get Out of This Place which
is his signature tune and sets a suitably claustrophobic tone, it being
hot and sticky and not a little malodorous what with all the crusty old
souls packed in.
Next up is Sippy Pat from the Wynd,
who never takes her Afghan off and treats us to Bohemian Rhapsody: 'Nobody
loves me!' she caterwauls, and the entire company screams in reply, 'She's
just a poor girl from a poor family!' and she starts crying 'Let me go!'
and we all scream 'No!' and eventually she tears her Afghan open and axe-grinds
her way towards the crescendo with much yipping and ya-hooing from all
present. Joe is already on his feet by the puggy, banging his approval
of Sippy's efforts on the heads and shoulders of those seated before him,
and his enthusiasm duly sparks a small disturbance which I'm forced to
quell with a few short blasts of the fire extinguisher.
But Joe is man enough to replace
those drinks ruined by the dusty spray, and soon we all settle down to
enjoy 'Jarler' Callaghan's outrageous treatment of the obscure Primo Detroit
Ensemble's 1964 top-ten heartbreaker I'm About To Burst, which just gets
better every time.
By half-eleven we're pretty much
as full as we can be, the bar jammed with aspiring chanters demanding request
slips despite cautions that they've little chance of performing tonight.
Bobby Elbow is due his well-earned
mid-session break after belting out Down Down Deeper and Down, but Quo's
most stirring of anthems sets Joe off again, and this time I have to allow
the brawl to take its natural course as I'm too busy with the paying customers.
But then it all goes wrong. A trio
of well-oiled, well dressed punters enter, and with them comes a scent
of trouble. Two men and a woman who look familiar, and have an air of authority
which my regulars sense and recoil from.
The strangers buy White-wine-&-peach
schnapps 'Blinders' (the house speciality), demand a receipt, and have
barely touched the drinks when the smallest of them catches my eye.
'Are you the proprietor sir?' asks
this little fellow, and a sinister type he is too with his baldy red head
and great tufts of white hair sprouting from his ears. I nod, whereupon
he produces a large plastic identity card and holds it up to my face.
'Sergeant O'Lally,' he says then,
'Operation Grumblebust. We have reason to believe that you have been allowing
these premises to be used for the gratuitous encouragement of behaviour
liable to cause gloom and general downheartedness.'
'Well you've had a bum steer,' says
I, and the other chap pipes up then--he's another shifty one, with a straggly
grey beard grown to partially conceal the awful debauchery writ large on
his pasty features.
'Make it easy on yourself,' he says
low and mean, a dangerous smile playing about his thin cruel lips: 'We
know all about it. Patsy Cline stuff, early Willie Nelson and Johnny Cash.'
He pauses, and I see the disgust flick across his face as he whispers,
'Two Little Boys? Do you take us for fools?'
'Who sent you?' I ask, and the woman
shuffles nearer the bar, staring at me through her milk-bottle gazers.
'That's immaterial,' she says, her neck wobbling like a gigantic parson's
nose as she chastises me: 'Everyone knows Elbow's been at it for years.
Cohen, Jim Reeves, the works. You expect us to believe you don't know the
type of filth he peddles, the misery he's caused?'
'Look about you,' says I, and they
all do. I follow their gaze to find that Joe has mounted the stage and
is making final adjustments to the dampened strip of beer-mat which will
act as a temporary upper-set. Bobby Elbow is preparing to launch part-two,
and its a cert it'll be a Big O weepie. I have a mental picture of myself,
suited and shaved, in the dock, being charged with Assisting in the Supply
of Woebegoneness by Means of Musical Media, and have resigned myself to
early-closing when Elbow's tones rise high and loud through The Great Unwashed.
'Ladies and Gentlemen, I give you, thrice champion, the one, the only,
Jeoooooo Ryan!'
The small baldy fellow pulls a tape-recorder
from his pocket and presses it on, smiling at his cronies. Joe unbuttons
his donkey jacket and spreads his legs, mike cupped in his hands, a washboard
frown developing, his eyebrows twisting into inverted commas of sadness.
And then he erupts into 'I was walking, down the High Street, when I...'
My mind races. It's not Orbison.
It's The Laughing Gnome. God bless you Doghead! The Sergeant flicks off
his recorder and the woman huffily slugs what's left of her Blinder. The
bearded one fires me a look of stinging contempt as he leans across and
snarls: 'Don't think for a minute that this aberrant piece of Bowie whimsy
can get you off the hook.'
But there's method in Joe's madness.
He stays on-stage, defying all others to remove him, and launches into
Kisses for Me as Elbow exhorts the massed regulars to sing along. By the
time Joe gets to the end of Dolce's timeless Shaddapayaface the trio has
clearly had enough.
'Now, have you tried around the
corner?' I ask, and they stare blankly. 'There's those new places. Genuine
Irish pubs they are,' I say, 'and no end of wanton miserableness in there
what with ballads about sailing away to Amerikay and never coming back,
and awful dirges about tatty-howking and banshees chasing folk around.
God bless us and save us and soap us and shave us, it's enough to make
a grown man weep so it is.'
They frown and glance at one another,
then move silently towards the door as the first chords of Agadoo-do-do
bring all to their feet.
Joe has earned his half-bottle tonight
and no mistake. I pour myself a pint and raise a hand in reply to Bobby
Elbow's wink, then join the rest of The Great Unwashed, pushing the pineapple,
shaking the tree.
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